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On Being Blue: A Philosophical Inquiry, by William H. Gass
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BLUE PENCILS, blue noses, blue movies, laws, and stockings. The dumps, mopes, Mondays; the ocean, the sky, and the deep, deep ice. The Whale. Jay. Ribbon. Fin. The grass in Kentucky. The china in Grandmother’s pantry. Of all the colors, blue has the widest range of associations, and the widest bandwidth of emotional tints and shades. It is therefore the most suitable color of interior life. Whether slick light sharp high bright and thin or low deep sweet thick dark and soft, blue moves easily among them all, and all profoundly qualify our states of feeling. This eccentric essay into the "world of blue" is the heart of the heart of Gass’s oeuvre.
- Sales Rank: #2296769 in Books
- Brand: Brand: David R. Godine
- Published on: 1975
- Number of items: 1
- Binding: Paperback
- 91 pages
- Used Book in Good Condition
Most helpful customer reviews
20 of 22 people found the following review helpful.
Keep At It
By Stephen W. Shipps
If I am any sort of example, you will not be sure what this book is about, until you're through. Keep at it. On the way, it's one of the most wondrous pieces of writing I've encountered. When you're there, if I am any sort of example, you will weep (for the joy of affirmation, mostly) and start again.
0 of 0 people found the following review helpful.
"A dictionary is as disturbing as the world, full of teasing parallels and misleading coincidence."
By Michael J. Ettner
What is this thing called ON BEING BLUE?
It's not an argument or at least not like any argument you've heard before. It's a larky performance by a monologist. It's a meandering rant, a riff in the jazz tradition. It's an improvisation that dances an elliptical orbit around blue and blues. It's precocious even for a professor. It's the unspooling of the passions of a mind -- a mind and a set of passions at once childish, adolescent, and assuredly adult. It's from the pen of a man to whom aesthetic experience comes easy. It's prose that's sometimes bell clear and other times twisted into contortionist poses. It pauses every page to strike a new pose. It's about the making of words and the making of sentences. It's about confronting the fact that even the best are betrayed by inadequate language. It's, in the face of this, the forging of errant beauties ranging from metaphor ("into and out of sight the way trout, I'm sure, still disappear among the iridescences ... suddenly to emerge again in the clear, swift streams") to slabs of Joycean yelps. It's a plethora of quotations from authors forgotten and authors eternal. It's maybe too enamored of its own alliterative formulations ("that lead-like look"; "blues we'd love to have loom large and linger long around us"). It's love for sale. No, it's sex. It's the five common methods by which sex gains an entrance into literature. It's a gleeful, George Carlin-spirited look at dirty words. It's Gass harrumphing at failed writing: "the sexual, in most works, disrupts the form; there is an almost immediate dishevelment, the proportion of events is lost." (Quick, some editor somewhere please commission Gass to review Nicholson Baker's "House of Holes: A Book of Raunch"). It's swift justice for also-rans (of Henry Miller: "He talks too much") and Wildean wit for others (a shout-out to Pierre Louys, "whose credentials are impeccable, being both French and pagan"). It's sometimes a musty period piece (Gass tut-tutting Oh! Calcutta! will throw most readers for a loop) and at other times a fresh reminder of the heydays of his bright fellow jesters John Barth, Donald Barthelme, Robert Coover, and John Hawkes. Alas, it's long since past.
4 of 9 people found the following review helpful.
OSI Blues
By A Customer
One of the great dirty books of Christendom while being an imaginative commentary of the philosophical problems of perception.
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